Frank ain't gotta drop an adlib, he already the goat
Ehh hea good not goated not enough consistency for goat status
his interviews with zane lowe or nardwuar are insufferable; he likes to break down the theory and intentionality behind everything from the color palettes of his outfits to modulations in the bridge of a song, guy talks like he’s delivering a thesis it’s so forced
he tries to control every aspect of how his albums are received, his rollouts feel like he’s begging to be considered a “visionary” with all his dumbass alter egos that end up sounding the same
the constant reminders that “i do it all myself”: design, production, writing, comes off like he’s preemptively defending against being undermined, even when no one’s attacking
he’s implied that he’s evolved past “basic” hip-hop by mocking trap beats, chains, and jordans but still borrows from the same culture when convenient (guest features with nba youngboy, rapping over dj drama)
called his grammy win for igor a “backhanded compliment” because it won best rap album even though he submitted it in that category.
he presents himself as this enigmatic, worldly tastemaker citing wes anderson, hiroshi fujiwara, and french jazz then randomly reverts to childish antics or corny punchlines, the inconsistency is more performative than authentic
he gets irritated when asked if he still considered himself a rapper, “i’m a composer.” such a plea for status lmaoo
i could literally go on for hours, dude is cornball personified, a cry for attention but only the kind he needs to fuel his ego.
Blablablabla wahwahwah
his interviews with zane lowe or nardwuar are insufferable; he likes to break down the theory and intentionality behind everything from the color palettes of his outfits to modulations in the bridge of a song, guy talks like he’s delivering a thesis it’s so forced
he tries to control every aspect of how his albums are received, his rollouts feel like he’s begging to be considered a “visionary” with all his dumbass alter egos that end up sounding the same
the constant reminders that “i do it all myself”: design, production, writing, comes off like he’s preemptively defending against being undermined, even when no one’s attacking
he’s implied that he’s evolved past “basic” hip-hop by mocking trap beats, chains, and jordans but still borrows from the same culture when convenient (guest features with nba youngboy, rapping over dj drama)
called his grammy win for igor a “backhanded compliment” because it won best rap album even though he submitted it in that category.
he presents himself as this enigmatic, worldly tastemaker citing wes anderson, hiroshi fujiwara, and french jazz then randomly reverts to childish antics or corny punchlines, the inconsistency is more performative than authentic
he gets irritated when asked if he still considered himself a rapper, “i’m a composer.” such a plea for status lmaoo
i could literally go on for hours, dude is cornball personified, a cry for attention but only the kind he needs to fuel his ego.
damn you sound miserable
Tyler >>>>
Hopefully this isn’t anything too deep
god made more than one fruit for a reason, no need to sacrifice one for the other when you can enjoy both
Ehh hea good not goated not enough consistency for goat status
He ain't gotta drop na'an
Been goated

god made more than one fruit for a reason, no need to sacrifice one for the other when you can enjoy both
And I love them both
Did the look @ us we’re in love name thing have any merit other than Frank just saying it a bunch on blonded 8
Did the look @ us we’re in love name thing have any merit other than Frank just saying it a bunch on blonded 8
It was also the homepage of blonded.com for months
Ehh hea good not goated not enough consistency for goat status
Got 4 albums and two of them are classics, he could retire now and still be in that conversation, that's more than d'Angelo or Lauryn Hill ever released.
Did the look @ us we’re in love name thing have any merit other than Frank just saying it a bunch on blonded 8
i thought it was the name of the dance album
i thought it was the name of the dance album
I thought so too but he makes a good point, who said it was gonna the the album name
I thought so too but he makes a good point, who said it was gonna the the album name
oh mysterious frank
his interviews with zane lowe or nardwuar are insufferable; he likes to break down the theory and intentionality behind everything from the color palettes of his outfits to modulations in the bridge of a song, guy talks like he’s delivering a thesis it’s so forced
he tries to control every aspect of how his albums are received, his rollouts feel like he’s begging to be considered a “visionary” with all his dumbass alter egos that end up sounding the same
the constant reminders that “i do it all myself”: design, production, writing, comes off like he’s preemptively defending against being undermined, even when no one’s attacking
he’s implied that he’s evolved past “basic” hip-hop by mocking trap beats, chains, and jordans but still borrows from the same culture when convenient (guest features with nba youngboy, rapping over dj drama)
called his grammy win for igor a “backhanded compliment” because it won best rap album even though he submitted it in that category.
he presents himself as this enigmatic, worldly tastemaker citing wes anderson, hiroshi fujiwara, and french jazz then randomly reverts to childish antics or corny punchlines, the inconsistency is more performative than authentic
he gets irritated when asked if he still considered himself a rapper, “i’m a composer.” such a plea for status lmaoo
i could literally go on for hours, dude is cornball personified, a cry for attention but only the kind he needs to fuel his ego.
Literally no lies here