Reply
  • Jan 25
    ·
    3 replies

    La Notte his highest rated and second most popular on Letterboxd

    Figured Blow Up would be his highest rated as well as most popular

  • Jan 25

    Yeah I resisted LB for a few years but it's extremely helpful ngl. You should get it.

  • Jan 25
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    1 reply
    Elric

    Had to watch alot of boring Wim Wenders before I got to Wings Of Desire and Paris Texas.

    Had to watch alot of boring Bresson before I found Dairy Of A Country Priest.

    Had to watch alot of ok Rossellini before I found mastapiece Flowers Of St. Francis.

    It's happens

    Do you watch everything in order? Even then The American Friend is great and Bresson didn't make that many movies. Diary of a Country Priest is one of the two movies I've seen by him

  • Jan 25
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    1 reply
    RIZGOD

    Came here to say these

    Memento shouldn't be unpopular and actually used to be a popular pick. By far and away his best movie

  • Jan 25
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    edited
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    1 reply

    Edward Yang: That Day On The Beach

    Andrei Tarkovsky: Nostalghia (tied with Mirror tho)

    Park Chan-wook: Sympathy For Mr. Vengeance (Oldboy is fantastic but Handmaiden is kinda between good and mid. Decision To Leave was quite the return to form)

    Francis For Coppola: The Conversation

    Denis Villeneuve: Enemy

    Elia Kazan: Splendor In The Grass

    Peter Jackson: Braindead

    Jean-Luc Godard: Weekend

    Richard Kelly: Southland Tales (Donnie Darko overrated af. Poor man's Lost Highway)

    Jim Jarmusch: Paterson

    Aki Kaurismäki: Calamari Union

    Christian Petzold: Die innere Sicherheit

    Alejandro Jodorowsky: The Dance Of Reality

    Charlie Kaufman: I'm Thinking of ending things

    Lars von Trier: Riget or Europa

    Steven Spielberg: Duel

    Brian De Palma: Body Double

    Sam Peckinpah: Convoy

    Vittorio De Sica: Miracle in Milan

  • Jan 25
    ·
    1 reply
    Elric

    La Notte his highest rated and second most popular on Letterboxd

    Figured Blow Up would be his highest rated as well as most popular

    Blow Up is also his best. But he’s got such a good filmog, everything from L’Avventura to Passenger would be a popular pick imo

  • Jan 25
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    1 reply
    Elric

    La Notte his highest rated and second most popular on Letterboxd

    Figured Blow Up would be his highest rated as well as most popular

    La Notte is way more accessible than Blow Up tbh.

  • Jan 25
    Benny Boy

    Do you watch everything in order? Even then The American Friend is great and Bresson didn't make that many movies. Diary of a Country Priest is one of the two movies I've seen by him

    Usually. Did with Wenders and Rossellini but not Bresson. I don't hate Man Escaped, Pickpocket, Balthazar and Mouchette etc but Diary hits so much harder.

    Did not enjoy American Friends unfortunately. Love those actors.

  • Jan 25
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    1 reply
    Aruji

    La Notte is way more accessible than Blow Up tbh.

    It's been so long since I've watched some Antonioni that I don't even have most of them logged so I'm too rusty to have a strong opinion tbh. I loved them all up till Passenger which I remember being a bit of a snooze. Again, unfortunate cause Jack the goat.

  • Jan 25
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    1 reply
    Aruji

    Memento shouldn't be unpopular and actually used to be a popular pick. By far and away his best movie

    Really creative concept and storytelling. But I gotta go with Inception as his best He took concepts universal to dreams like time dilation, waking up when you're realising you're dreaming, that trip feeling that makes you wake up etc and used them all brilliantly for this movie

  • Jan 25
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    1 reply
    Elric

    It's been so long since I've watched some Antonioni that I don't even have most of them logged so I'm too rusty to have a strong opinion tbh. I loved them all up till Passenger which I remember being a bit of a snooze. Again, unfortunate cause Jack the goat.

    yea The Passenger felt a little off at times but I still liked it. Jack did great in this one tbh.

  • Jan 25
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    1 reply
    this is not an alt

    Blow Up is also his best. But he’s got such a good filmog, everything from L’Avventura to Passenger would be a popular pick imo

    Blow Up lacked the mystique of his Italian stuff but I'm such a swinging 60s england stan that it was awesome for other reasons.

    I know Ant originally wanted The Who for the concert scene but capturing the brief peak of the Jeff Back led Yardbirds is legendary

  • Aruji

    yea The Passenger felt a little off at times but I still liked it. Jack did great in this one tbh.

    Jack was untouchable in the 70s sorry DeNiro, Pacino, Hoffman whoever

  • Jan 25
    ·
    edited
    RIZGOD

    Really creative concept and storytelling. But I gotta go with Inception as his best He took concepts universal to dreams like time dilation, waking up when you're realising you're dreaming, that trip feeling that makes you wake up etc and used them all brilliantly for this movie

    idk I like Inception but Memento is more radical in it's approach. At the end of the day it completely attacks the certainty of our own memories and therefore the justification of our own judgements and actions. This, however, fantastically expressed via it's structure. and omg I love that score and the general mood.

  • Elric

    Blow Up lacked the mystique of his Italian stuff but I'm such a swinging 60s england stan that it was awesome for other reasons.

    I know Ant originally wanted The Who for the concert scene but capturing the brief peak of the Jeff Back led Yardbirds is legendary

    It’s a bit more literal but less mystique is probably just because the ppl are speaking English instead of Italian lol. Love that movie so much, still think of it every time I hear leaves rustle in the wind.

    Nobody ever translated Heideggerian themes better to film than Antonioni

  • Jan 25
    ·
    1 reply

    Bladerunner

  • Jan 26
    ·
    1 reply
    Aruji
    · edited

    Edward Yang: That Day On The Beach

    Andrei Tarkovsky: Nostalghia (tied with Mirror tho)

    Park Chan-wook: Sympathy For Mr. Vengeance (Oldboy is fantastic but Handmaiden is kinda between good and mid. Decision To Leave was quite the return to form)

    Francis For Coppola: The Conversation

    Denis Villeneuve: Enemy

    Elia Kazan: Splendor In The Grass

    Peter Jackson: Braindead

    Jean-Luc Godard: Weekend

    Richard Kelly: Southland Tales (Donnie Darko overrated af. Poor man's Lost Highway)

    Jim Jarmusch: Paterson

    Aki Kaurismäki: Calamari Union

    Christian Petzold: Die innere Sicherheit

    Alejandro Jodorowsky: The Dance Of Reality

    Charlie Kaufman: I'm Thinking of ending things

    Lars von Trier: Riget or Europa

    Steven Spielberg: Duel

    Brian De Palma: Body Double

    Sam Peckinpah: Convoy

    Vittorio De Sica: Miracle in Milan

    Have you seen No Other Choice yet?

  • eversince

    Bladerunner

    Wait this said unpopular picks lol my bad

  • WHaaaT

    Have you seen No Other Choice yet?

    no. probably beginning of February. heard good things

  • Jan 26
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    1 reply
    Benny Boy

    I had saved watching Lyndon for years and years. Finally cashed it in to start this year.

    Pretty clear Kubrick had better ideas about a Napoleon movie he couldn't get made. He wanted to use that research to direct Thackeray's Vanity Fair but it became a TV show. So he settled for a different Thackeray novel. Ryan O'Neal had and gave nothing. Kubrick knew it as well and resented him for it. I don't understand the contrarianism tbh.

    Impeccably shot and pushed the technology forward but I don't think it's anywhere close to his best movies. I watched Eyes Wide Shut 24 hours earlier. Night and day. The Killing is my underrated Kubrick.

    wasn't Kubrick very proud of it?

  • Aruji

    wasn't Kubrick very proud of it?

    I don't see why he wouldn't be. He made it